Performing Opposition Through Theater

During the dictatorship, cultural production at home and abroad became a crucial means of dissent that could bypass censors.

The Living Theatre

The Living Theater wrote Seven Meditations on Political Sado-Masochism in response to their arrest in Brazil and testimonies of dissidents they met in prison and performed the play on campuses and other venues around the country. Read about Judith Malina and Julian Beck.

Program for Arena Conta Zumbi

In 1969 Augusto Boal, noted Brazilian playwright and director, was invited to New York to stage his production of Arena Conta Zumbi by Joanne Pottlitzer, director of the Theater of Latin America (TOLA). The play tells the story of a Brazilian slave, Zumbi, and acted as a thinly veiled metaphor for the experience under military rule. Boal’s creative activities in the United States were on the military government’s watch. After the production ended, Boal was arrested and tortured in February 1971 in São Paulo. His arrest further motivated growing opposition to the regime by American intellectuals and artists.